Out of Nowhere

By Johnny Green and Edward Heyman (pictured)
1931

From the same team responsible for "Body and Soul" and "I Cover the Waterfront" came this song, which turned out to be Bing Crosby's first solo #1 hit when he recorded it for Brunswick Records in March 1931. It would continue to be closely associated with Bing, although it eventually became a widely recorded jazz standard. Interestingly, the harmonic progression of this tune can be found in several other compositions, including Gigi Gryce's "Sans Souci" and Alexander Courage's classic theme to the original Star Trek TV series. It is also a favorite of Woody Allen's, popping up in three of his films: 1993's Manhattan Murder Mystery (Coleman Hawkins version), 1997's Deconstructing Harry (Django Reinhardt version) and 1999's Sweet and Lowdown (Dick Hyman version).

Lyrics:

You came to me from out of nowhere 
you took my heart and found it free
Wonderful dreams, wonderful schemes from nowhere
Made every hour sweet as a flower to me

And if you should go back to your nowhere 
Leaving me with a memory
I'll always wait for your return out of nowhere
Hoping you'll bring your love to me

When I least expected, kindly faith directed
You to make each dream of mine come true
And if it's clear or raining, there is no explaining
Things just happened and so did you

You came to me from out of nowhere
You took my heart and you found it free
Wonderful dreams, wonderful schemes from nowhere
Made every hour sweet as a flower to me

Recorded By:

Dave Brubeck
Lena Horne
Ella Fitzgerald
Vic Damone
Art Tatum

Body and Soul

By Johnny Green, Edward Heyman, Robert Sour and Frank Eyton
1930

The jazz standard of all jazz standards, "Body and Soul" actually began its life as a London concert hall number, written for British actress and singer Gertrude Lawrence. It was soon brought to Broadway for Libby Holman to sing in the revue Three's a Crowd. With its rich, complex melody from Green, it was immediately taken up by jazz bands, beginning with Louis Armstrong's, and has remained a top favorite ever since, known for its easy adaptability by improvisational musicians. Perhaps the most highly regarded of all jazz takes on this immortal tune is the recording by tenor saxophonist Coleman Hawkins.

Lyrics:

My heart is sad and lonely 
For you I sigh, for you dear only 
Why haven't you seen it 
I'm all for you body and soul 
I spend my days in longin' 
And wondering why it's me you're (ogling)

I tell you I mean it 
I'm all for you body and soul 
I can't believe it 
It's hard to conceive it 
That you turn away romance 
Are you pretending 
It looks like the ending 
And less I could have one more chance to prove, dear

My life a wreck you're making 
You know I'm yours for just the taking 
I'd gladly surrender myself to you body and soul 
My life a wreck you're making 
You know I'm yours for just the taking 
I would gladly surrender myself to you body and soul

Recorded By:

Billie Holiday
Billy Eckstine
Tony Bennett and Amy Winehouse
Stan Kenton
Benny Goodman

I'm Yours

By Johnny Green & E.Y. "Yip" Harburg
1930

For the 400th post here at Standard of the Day, I give you this warm and innocent ballad, written by one-time Ethel Merman accompanist, bandleader and pianist Johnny Green (pictured), who dedicated it to his wife Bonnie. His lyricist was long-time Harold Arlen collaborator E.Y. Harburg. Green is best known for "Body and Soul", which along with this song was one of his first two compositions, written at age 22 after deciding to disobey his father, drop out of military school and pursue music. It was introduced by the great Ruth Etting.

Lyrics:

Ask the sky above
And ask the earth below
Why I'm so in love
And why I love you so
Couldn't tell you though I tried do
Just why I'm yours.

When you went away
You left a glowing spark
Trying to be gay as
Whistling in the dark
I am only what you make me
Come take me
I'm yours

How can I happy
I would be to beg or borrow
For sorrow
With you
Even though I knew
Tomorrow
You'd say we were through.

If we drift apart
Then I'll be lost and alone
Though you use my heart
Just for a steppin' stone
How can I help dreaming of you
I love you
I'm yours

Recorded By:

Ruth Etting
Billie Holiday
Bert Lown Orchestra
Artie Shaw Orchestra
Dean Martin

I Cover the Waterfront

By Johnny Green & Edward Heyman
1933

Journalist Max Miller's 1932 book I Cover the Waterfront was an instant hit, filled as it was with Miller's captivating reminiscences of the San Diego waterfront from his days on the San Diego Sun. The book proved so popular that just a year later, it had inspired both a pop song and a movie, made independently of each other (although Reliance Pictures had the foresight to include the tune in its Claudette Colbert vehicle). A heap of artists recorded it that first year, with the initial hit belonging to Joe Haymes' orchestra.

Lyrics:

Away from the city that hurts and knocks,
I'm standing alone by the desolate docks.
In the still and the chill of the night
I see the horizon, the great unknown.
My heart has an ache,
Its as heavy as stone.
With the dawn coming on, make it last.

I cover the waterfront.
I'm watching the sea.
Will the one I love
Be coming back to me?

I cover the waterfront,
In search of my love.
And I'm covered
By a starlit sky above.

Here am I,
Patiently waiting.
Hoping and longing--
Oh, how I yearn.
Where are you?
Are you forgetting?
Will you remember?
Will you return?

Will the one I love
Be coming back to me?

Recorded By:

Billie Holiday
Eddy Duchin
Sam Cooke
Louis Armstrong
Lester Young, Nat Cole & Buddy Rich