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Showing posts with label Vernon Duke. Show all posts
Showing posts with label Vernon Duke. Show all posts

Wednesday, April 10, 2019

April in Paris

By Vernon Duke and E.Y. "Yip" Harburg
1932

Once referred to by renowned composer and music scholar Alec Wilder as the "perfect theater song," this sweeping, evocative number was written by Duke and frequent Harold Arlen collaborator Harburg for the stage production Walk a Little Faster, and introduced in a hit recording by Freddy Martin. Perhaps the most well-known recording would be Count Basie's jazzy rendition, typified by trumpeter Thad Jones' unforgettable solo and the Count's exhortations to his band of "one more time" and "one more once!" Basie's version was also memorably featured in the 1974 Mel Brooks comedy Blazing Saddles.

Lyrics:
April in Paris, chestnuts in blossom
Holiday tables under the trees
April in Paris, this is a feeling
No one can ever reprise

I never knew the charm of spring
Never met it face to face
I never new my heart could sing
Never missed a warm embrace

Till April in Paris
Whom can I run to
What have you done to my heart?
Recorded By:

Frank Sinatra
Ella Fitzgerald and Louis Armstrong
Billie Holiday
Thelonious Monk
Dinah Shore

Tuesday, January 21, 2014

What Is There to Say?

By Vernon Duke & E.Y. "Yip" Harburg
1933

A classic theater song of the 1930s, this sophisticated treasure was written for the Ziegfeld Follies of 1934--the first Ziegfeld revue produced after the legendary impresario's death two years prior. It was introduced on stage by Jane Froman and Everett Marshall, and soon after recorded by Emil Coleman and His Riviera Orchestra (the hotel band for the Waldorf Astoria). Reportedly, without Ziegfeld at the helm, behind the scenes politics raged, involving Ziegeld's widow Billie Burke (the future Glinda of The Wizard of Oz), show star Fanny Brice and even the Schubert Theatre where the show was being put on. This reportedly led to the demise of the Duke (pictured)/Harburg partnership, which has also produced "April in Paris" the year before.

Lyrics: 

What is there to say
and what is there to do
The dream I've been seeking
has practically speaking come true

What is there to say
and how will I pull through
I knew in a moment
contentment and wholement, just you

You are so lovable
So livable
Your beauty is just unforgivable
You're made to marvel at
and words to that effect

So what is there to say
and what is there to do
My heart's in a deadlock
I'd even face wedlock with you

Recorded By:

Mel Torme
Ella Fitzgerald
Sonny Rollins
Nat King Cole
Gerry Mulligan

Friday, November 20, 2009

Autumn in New York

By Vernon Duke
1934

What a perfect time to spotlight this sublime piece of popular music, wouldn't you say? Prolific composer Duke wrote it for the Broadway musical Thumbs Up!, in which it was first performed by J. Harold Murray. It would not become a popular standard for singers and musicians, however, until about a decade later.

Lyrics:

Autumn in New York--
Why does it seem so exciting?
Autumn in New York--
It spells the thrill of first-nighting.

Shimmering clouds and glimmering crowds
In canyons of steel--
They're making me feel I'm home.

It's autumn in New York
That brings a promise of new love.
Autumn in New York--
Is often mingled with pain.

Dreamers with empty hands
All sigh for exotic lands.
It's autumn in New York--
It's good to live it again.

This autumn in New York
Transforms the slums into Mayfair.
Autumn in New York--
You'll need no castles in Spain.

Lovers that bless the dark
On benches in Central Park.
It's autumn in New York,
It's good to live it again.

Recorded By:

Ella Fitzgerald
Billie Holiday
Frank Sinatra
Jo Stafford
Charlie Parker

Saturday, March 28, 2009

Taking a Chance on Love

By Vernon Duke, John Latouche & Ted Fetter
1940

An infectiously rhythmic melody by Duke (pictured) and clever lyrics make it easy to understand how this song became a standard shortly after being introduced by Ethel Water and Dooley Wilson in the all-black musical Cabin in the Sky. Three years after the film's release, Benny Goodman's orchestra (Helen Forrest vocal) scored a number-one hit with it.

Lyrics:

Here I go again,
I hear those trumpets blow again.
All aglow again,
Taking a chance on love.

Here I slide again,
About to take that ride again.
Starry eyed again,
Taking a chance on love.

I thought that cards were a frame-up
I never would try.
Now I'm taking that game up,
And the ace of hearts is high.

Things are mending now,
I see a rainbow blending now.
We'll have a happy ending now.
Taking a chance on love.

Here I slip again,
About to take that trip again.
I got that grip again,
Taking a chance on love.

Now I prove again
That I can make life move again.
I'm in a groove again,
Taking a chance on love.

I walk around with a horseshoe,
In clover I lie.
And brother rabbit of course you
Better kiss your foot good-bye.

On the ball again,
I'm riding for a fall again.
I'm gonna give my all again,
Taking a chance on love.

Recorded By:

Tony Bennett
Frank Sinatra
Les Brown
Dave Brubeck
Rosemary Clooney

Friday, February 6, 2009

I Can't Get Started

By Vernon Duke & Ira Gershwin
1935

A charming ballad written for the Broadway musical Ziegfeld Follies of 1936, in which it was introduced by Bob Hope. Bunny Berigan's recording of it the following year became a top 10 hit, and instantly put the song on the map for all time. Its clever lyric tells of the woe of someone who, despite many amazing accomplishments, can't impress the girl he's crazy about.

Lyrics:

I'm a glum one, it's explainable.
I've met someone unattainable.
Life's a bore,
The world is my oyster no more.
All the papers where I led the news
With my capers, now will spread the news:
"Superman Turned Out to Be Flash-in-the-Pan"

I've flown around the world in a plane,
I've settled revolutions in Spain,
The North Pole I have charted--
But I can't get started with you.

Around the golf course I'm under par,
And all the movies want me to star.
I've built a house and show place,
But I can't get no place with you.

You're so supreme,
Lyrics I write of you.
Scheme, just for a sight of you.
And I dream both day and night of you,
And what good does it do.

In 1929, I sold short,
In London, I'm presented at court,
But you've got me down hearted,
Cause I can't get started with you.

Recorded By:

Rosemary Clooney
Frank Sinatra
Keely Smith
Chet Baker
Carmen McRae

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